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‘Pavlova’ review: Who would have thought provocateur Brian Sewell could write so tenderly?

‘Pavlova’ review: Who would have thought provocateur Brian Sewell could write so tenderly?

The late, often abrasive British art critic Brian Sewell surprised critics with his final book, Pavlova, which recounts the story of an art historian smuggling an rescued donkey from Pakistan to London. The narrative serves as a poignant and witty travelogue, highlighting a tender side to a man previously known for his harsh critiques of the art world.

Brian Sewell, the late British art critic known for his acerbic wit and controversial opinions, surprised readers with the publication of his final book, Pavlova. Translated into Dutch by Gerbrand Bakker, the story follows Mr B, a gentleman art historian, who rescues an abused donkey foal in Peshawar, Pakistan, and attempts to transport it back to his home in London. This adventurous road trip spans multiple countries, including Turkey, Greece, and across the Balkans, while Mr B navigates the journey with characteristic charm and scholarly flair.

While Sewell humorously described the work as a children's book, the narrative is filled with sophisticated observations on art history and historical events, including a poignant reference to the historical figure Gavrilo Princip. The book reflects a softer, more compassionate side of the writer, who was once feared for his scathing reviews of modern artists like Damien Hirst. Illustrated by Sally Ann Lasson, Pavlova reveals a tender side of a man who famously displayed a large mouth but held a genuinely kind heart.

Based on reporting by parool. Translated and condensed by LocalHeadlines.

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